Benutzer:Arcomelo/Charts Musiktheorie
Zur Navigation springen
Zur Suche springen
Monatlich aktualisierter TOP 200 von Seiten in der Kategorie Musiktheorie (dank Krdbot):
Name |
Back -links |
Rang 2024 -04 |
∅ Zugriffe pro Tag 2024 -04 |
Rang 2024 -05 |
∅ Zugriffe pro Tag 2024 -05 |
Anmerkungen / Bearbeiter | ||
---|---|---|---|---|---|---|---|---|
Pythagoras | 377 | 7 | 367 | 1 | 1174 | +6 | ||
Theodor W. Adorno | 1285 | 4 | 499 | 2 | 596 | +2 | ||
Quintenzirkel | 118 | 2 | 587 | 3 | 522 | -1 | ||
Gustav Mahler | 1758 | 3 | 545 | 4 | 469 | -1 | ||
Augustinus von Hippo | 1891 | 6 | 401 | 5 | 369 | +1 | ||
Vergleichszeichen | 103 | 8 | 366 | 6 | 355 | +2 | ||
Wolfgang Böhmer (Komponist) | 41 | 206 | 41 | 7 | 345 | +199 | ||
James Last | 447 | 1 | 785 | 8 | 339 | -7 | ||
Liste musikalischer Symbole | 1 | 9 | 361 | 9 | 325 | |||
Pepe Lienhard | 190 | 80 | 97 | 10 | 323 | +70 | ||
Schlager | 2342 | 11 | 319 | 11 | 309 | |||
Arnold Schönberg | 1542 | 5 | 455 | 12 | 287 | -7 | ||
Moshpit | 36 | 21 | 217 | 13 | 277 | +8 | ||
Burlesque | 147 | 24 | 195 | 14 | 265 | +10 | ||
Leonhard Euler | 746 | 10 | 329 | 15 | 255 | -5 | ||
Tempo (Musik) | 683 | 12 | 260 | 16 | 253 | -4 | ||
Musik der Romantik | 514 | 13 | 248 | 17 | 223 | -4 | ||
Notenschlüssel | 97 | 17 | 233 | 18 | 222 | -1 | ||
Oper | 5000 | 14 | 244 | 19 | 213 | -5 | ||
Bill Holman | 138 | - | 0 | 20 | 213 | |||
Stimmlage | 714 | 19 | 225 | 21 | 208 | -2 | ||
Sinfonie | 1294 | 31 | 172 | 22 | 200 | +9 | ||
Flamenco | 686 | 22 | 205 | 23 | 200 | -1 | ||
Jan Wróblewski (Musiker) | 35 | - | 0 | 24 | 194 | |||
Falsett | 340 | 25 | 195 | 25 | 194 | |||
Quincy Jones | 805 | 16 | 239 | 26 | 193 | -10 | ||
Intervall (Musik) | 450 | 27 | 185 | 27 | 190 | |||
Kastrat | 387 | 41 | 146 | 28 | 187 | +13 | ||
Musical | 5000 | 23 | 201 | 29 | 170 | -6 | ||
Line Dance | 54 | 39 | 156 | 30 | 168 | +9 | ||
Ballett | 2618 | 29 | 184 | 31 | 163 | -2 | ||
Tonleiter | 364 | 28 | 185 | 32 | 162 | -4 | ||
Kammerton | 126 | 33 | 169 | 33 | 161 | |||
Zwölftontechnik | 274 | 30 | 180 | 34 | 160 | -4 | ||
Euklid | 436 | 57 | 121 | 35 | 156 | +22 | ||
Pentatonik | 267 | 36 | 163 | 36 | 154 | |||
Requiem | 705 | 34 | 168 | 37 | 154 | -3 | ||
Michael Flatley | 40 | 15 | 240 | 38 | 153 | -23 | ||
Glenn Miller | 511 | 32 | 169 | 39 | 148 | -7 | ||
Fuge (Musik) | 627 | 38 | 160 | 40 | 145 | -2 | ||
Pogo | 56 | 52 | 124 | 41 | 144 | +11 | ||
Claudius Ptolemäus | 1022 | 35 | 166 | 42 | 142 | -7 | ||
Notation (Musik) | 362 | 40 | 148 | 43 | 137 | -3 | ||
Tenor | 2564 | 37 | 162 | 44 | 132 | -7 | ||
Kontrapunkt | 1264 | 53 | 124 | 45 | 131 | +8 | ||
Ernst Mosch | 87 | 84 | 95 | 46 | 130 | +38 | ||
Sopran | 4086 | 58 | 119 | 47 | 129 | +11 | ||
Gregorianischer Choral | 662 | 47 | 134 | 48 | 127 | -1 | ||
Kadenz (Harmonielehre) | 325 | 48 | 130 | 49 | 127 | -1 | ||
Synkope (Musik) | 461 | 43 | 139 | 50 | 126 | -7 | ||
Oktave | 736 | 46 | 135 | 51 | 126 | -5 | ||
Vaudeville | 1182 | 61 | 115 | 52 | 126 | +9 | ||
Jacob Collier | 61 | 26 | 187 | 53 | 122 | -27 | ||
Frequenzen der gleichstufigen Stimmung | 14 | 49 | 128 | 54 | 121 | -5 | ||
Ballade | 1024 | 42 | 141 | 55 | 121 | -13 | ||
Chanson | 1386 | 79 | 98 | 56 | 112 | +23 | ||
Oratorium | 1819 | 44 | 138 | 57 | 110 | -13 | ||
Verzierung (Musik) | 237 | 62 | 115 | 58 | 110 | +4 | ||
Notenwert | 254 | 56 | 121 | 59 | 109 | -3 | ||
Kirchentonart | 243 | 74 | 104 | 60 | 105 | +14 | ||
Countertenor | 320 | 86 | 95 | 61 | 105 | +25 | ||
Programmmusik | 170 | 60 | 116 | 62 | 105 | -2 | ||
Bariton | 1669 | 64 | 113 | 63 | 105 | +1 | ||
Rosalía (Sängerin) | 89 | 69 | 110 | 64 | 105 | +5 | ||
Vamp (Jazz) | 58 | 715 | 4 | 65 | 105 | +650 | ||
Akkord | 650 | 59 | 117 | 66 | 103 | -7 | ||
Generalbass | 776 | 67 | 111 | 67 | 103 | |||
Te Deum | 457 | 85 | 95 | 68 | 102 | +17 | ||
Moll | 437 | 77 | 99 | 69 | 101 | +8 | ||
Lord of the Dance | 36 | 18 | 233 | 70 | 100 | -52 | ||
Mezzosopran | 1730 | 70 | 108 | 71 | 99 | -1 | ||
E- und U-Musik | 89 | 153 | 57 | 72 | 97 | +81 | ||
Takt (Musik) | 818 | 68 | 110 | 73 | 96 | -5 | ||
Rhapsodie | 119 | 103 | 79 | 74 | 95 | +29 | ||
Nationalhymne | 1167 | 88 | 94 | 75 | 95 | +13 | ||
Bert Kaempfert | 215 | 55 | 122 | 76 | 93 | -21 | ||
Tritonus | 176 | 131 | 66 | 77 | 93 | +54 | ||
Terz (Musik) | 454 | 82 | 96 | 78 | 93 | +4 | ||
Vorzeichen (Musik) | 84 | 66 | 112 | 79 | 93 | -13 | ||
Note (Musik) | 207 | 71 | 107 | 80 | 92 | -9 | ||
Sirtaki | 26 | 95 | 85 | 81 | 91 | +14 | ||
Max Reger | 1004 | 72 | 107 | 82 | 91 | -10 | ||
MIDI | 290 | 78 | 99 | 83 | 90 | -5 | ||
Sonatensatzform | 386 | 90 | 94 | 84 | 87 | +6 | ||
Al Jarreau | 332 | 73 | 105 | 85 | 86 | -12 | ||
Filmmusik | 2280 | 96 | 84 | 86 | 85 | +10 | ||
Eratosthenes | 196 | 76 | 102 | 87 | 85 | -11 | ||
Kunstlied | 347 | 87 | 94 | 88 | 85 | -1 | ||
Diatonik | 290 | 94 | 85 | 89 | 85 | +5 | ||
Kakophonie | 77 | 45 | 136 | 90 | 84 | -45 | ||
Tango (Standardtanz) | 154 | 51 | 126 | 91 | 82 | -40 | ||
Eumir Deodato | 105 | 264 | 30 | 92 | 81 | +172 | ||
Polka | 483 | 97 | 81 | 93 | 81 | +4 | ||
Lindy Hop | 51 | 83 | 95 | 94 | 81 | -11 | ||
Songwriting | 2490 | 112 | 74 | 95 | 81 | +17 | ||
Tutti | 195 | 50 | 127 | 96 | 79 | -46 | ||
Beats per minute | 787 | 91 | 91 | 97 | 78 | -6 | ||
Metronom | 155 | 105 | 78 | 98 | 78 | +7 | ||
Operette | 2213 | 81 | 97 | 99 | 77 | -18 | ||
Stabat mater | 155 | 75 | 103 | 100 | 76 | -25 | ||
Dieter Falk | 97 | 244 | 34 | 101 | 75 | +143 | ||
Coverversion | 4793 | 121 | 69 | 102 | 74 | +19 | ||
Arie | 614 | 92 | 86 | 103 | 74 | -11 | ||
Tonart | 432 | 98 | 81 | 104 | 73 | -6 | ||
Twerking | 16 | 65 | 112 | 105 | 72 | -40 | ||
Septakkord | 114 | 120 | 70 | 106 | 72 | +14 | ||
Oberton | 301 | 99 | 80 | 107 | 72 | -8 | ||
Partitur | 700 | 102 | 79 | 108 | 71 | -6 | ||
Cancan | 67 | 54 | 122 | 109 | 71 | -55 | ||
Sonate | 448 | 111 | 74 | 110 | 71 | +1 | ||
Suite (Musik) | 560 | 93 | 85 | 111 | 70 | -18 | ||
Ernst Hutter | 26 | 256 | 31 | 112 | 70 | +144 | ||
Stimmen einer Gitarre | 10 | 122 | 69 | 113 | 70 | +9 | ||
Panzerlied | 6 | 156 | 55 | 114 | 68 | +42 | ||
Anderssprachige Tonbezeichnungen | 29 | 123 | 69 | 115 | 68 | +8 | ||
Register (Orgel) | 5000 | 106 | 77 | 116 | 68 | -10 | ||
Bluestonleiter | 22 | 114 | 74 | 117 | 66 | -3 | ||
Macarena (Lied) | 52 | 101 | 79 | 118 | 65 | -17 | ||
Quinte | 490 | 128 | 67 | 119 | 65 | +9 | ||
Madrigal (Musik) | 501 | 146 | 61 | 120 | 65 | +26 | ||
Wiener Walzer | 154 | 109 | 75 | 121 | 65 | -12 | ||
Paco de Lucía | 155 | 149 | 60 | 122 | 64 | +27 | ||
Kammermusik | 2469 | 110 | 75 | 123 | 64 | -13 | ||
Paralleltonart | 129 | 130 | 67 | 124 | 64 | +6 | ||
Rondo (Musik) | 347 | 119 | 70 | 125 | 63 | -6 | ||
Tarantella | 72 | 127 | 67 | 126 | 63 | +1 | ||
Menuett | 243 | 125 | 69 | 127 | 63 | -2 | ||
Motette | 1164 | 148 | 60 | 128 | 62 | +20 | ||
Alt (Stimmlage) | 1499 | 104 | 78 | 129 | 61 | -25 | ||
Rhythmus (Musik) | 889 | 150 | 59 | 130 | 61 | +20 | ||
Akkordsymbol | 73 | 133 | 64 | 131 | 61 | +2 | ||
Volkslied | 1201 | 132 | 66 | 132 | 61 | |||
Shanty | 147 | 129 | 67 | 133 | 61 | -4 | ||
Samba (Tanz) | 136 | 89 | 94 | 134 | 60 | -45 | ||
Modale Tonleitern | 104 | 147 | 60 | 135 | 60 | +12 | ||
Langsamer Walzer | 101 | 136 | 63 | 136 | 59 | |||
Hymne | 964 | 157 | 55 | 137 | 58 | +20 | ||
Cha-Cha-Cha | 141 | 118 | 70 | 138 | 58 | -20 | ||
C-Dur | 333 | 117 | 71 | 139 | 58 | -22 | ||
Peter Thomas (Komponist) | 173 | 364 | 19 | 140 | 57 | +224 | ||
Liste von Orgelregistern | 114 | 137 | 63 | 141 | 56 | -4 | ||
Dreiklang | 200 | 142 | 62 | 142 | 56 | |||
Adagio (Musik) | 79 | 151 | 58 | 143 | 55 | +8 | ||
Rumba | 208 | 126 | 68 | 144 | 54 | -18 | ||
Charleston (Tanz) | 130 | 124 | 69 | 145 | 53 | -21 | ||
Kantate | 1340 | 115 | 73 | 146 | 53 | -31 | ||
Solmisation | 115 | 145 | 61 | 147 | 52 | -2 | ||
B (Notenschrift) | 49 | 107 | 76 | 148 | 52 | -41 | ||
Paso Doble | 105 | 100 | 80 | 149 | 52 | -49 | ||
West Coast Swing | 26 | 138 | 63 | 150 | 52 | -12 | ||
Foxtrott | 178 | 143 | 62 | 151 | 52 | -8 | ||
Athanasius Kircher | 227 | 170 | 51 | 152 | 51 | +18 | ||
Dur | 408 | 135 | 63 | 153 | 51 | -18 | ||
Lied | 2135 | 161 | 53 | 154 | 51 | +7 | ||
Jean-Philippe Rameau | 466 | 152 | 57 | 155 | 51 | -3 | ||
Jive | 121 | 116 | 72 | 156 | 50 | -40 | ||
Stufentheorie (Harmonik) | 61 | 168 | 51 | 157 | 50 | +11 | ||
Christiaan Huygens | 261 | 144 | 61 | 158 | 50 | -14 | ||
Polyphonie | 665 | 164 | 53 | 159 | 50 | +5 | ||
Blue Note | 98 | 160 | 53 | 160 | 49 | |||
Opera buffa | 400 | 141 | 62 | 161 | 49 | -20 | ||
Bass (Stimmlage) | 2336 | 139 | 63 | 162 | 48 | -23 | ||
Chromatik | 631 | 176 | 49 | 163 | 48 | +13 | ||
Anton Webern | 417 | 174 | 50 | 164 | 47 | +10 | ||
Nocturne (Musik) | 93 | 158 | 54 | 165 | 47 | -7 | ||
A-Moll | 182 | 193 | 44 | 166 | 47 | +27 | ||
Kanon (Musik) | 348 | 183 | 47 | 167 | 47 | +16 | ||
Tonartencharakter | 36 | 173 | 50 | 168 | 47 | +5 | ||
Transponierendes Instrument | 33 | 181 | 47 | 169 | 47 | +12 | ||
Neume | 138 | 221 | 38 | 170 | 46 | +51 | ||
Atonale Musik | 197 | 167 | 52 | 171 | 46 | -4 | ||
Streichquartett | 925 | 182 | 47 | 172 | 46 | +10 | ||
Syntagma musicum | 138 | 184 | 47 | 173 | 46 | +11 | ||
Passacaglia | 124 | 154 | 56 | 174 | 45 | -20 | ||
Hookline | 365 | 198 | 43 | 175 | 45 | +23 | ||
Spiritual (Musik) | 46 | 166 | 52 | 176 | 45 | -10 | ||
Ententanz | 34 | 190 | 44 | 177 | 45 | +13 | ||
D-Dur | 236 | 169 | 51 | 178 | 44 | -9 | ||
Coda (Musik) | 468 | 199 | 42 | 179 | 44 | +20 | ||
Riff (Musik) | 1709 | 159 | 54 | 180 | 44 | -21 | ||
Boethius | 315 | 155 | 55 | 181 | 44 | -26 | ||
Riverdance – The Show | 57 | 180 | 47 | 182 | 43 | -2 | ||
Reel | 57 | 162 | 53 | 183 | 43 | -21 | ||
Rezitativ | 564 | 177 | 49 | 184 | 42 | -7 | ||
Notensystem (Musik) | 92 | 171 | 51 | 185 | 41 | -14 | ||
F-Dur | 247 | 205 | 41 | 186 | 41 | +19 | ||
Moritat | 107 | 185 | 46 | 187 | 41 | -2 | ||
Enharmonische Verwechslung | 84 | 175 | 50 | 188 | 40 | -13 | ||
Schuhplattler | 71 | 238 | 35 | 189 | 40 | +49 | ||
D-Moll | 207 | 208 | 40 | 190 | 40 | +18 | ||
Groteske | 490 | 189 | 44 | 191 | 40 | -2 | ||
Lalo Schifrin | 281 | 254 | 32 | 192 | 40 | +62 | ||
Messe (Musik) | 917 | 225 | 37 | 193 | 40 | +32 | ||
Wohltemperierte Stimmung | 131 | 201 | 41 | 194 | 40 | +7 | ||
Serielle Musik | 243 | 192 | 44 | 195 | 40 | -3 | ||
Stepptanz | 314 | 172 | 51 | 196 | 40 | -24 | ||
Arbeiterlied | 145 | 243 | 34 | 197 | 39 | +46 | ||
G-Dur | 274 | 213 | 39 | 198 | 39 | +15 | ||
Aleatorik | 145 | 209 | 40 | 199 | 39 | +10 | ||
Worksong | 30 | 188 | 45 | 200 | 39 | -12 |